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One might think about my nephew and Ms. Riitta-Berliner-Mauer as opposing situations.?

The object is sexy precisely because it is not human, not soft and full of liquids, but instead hard, hard, hard—though also a bit porous in the first instance, objects must evince features signaling humanness—faces, mouths, voices—to be considered animate; in objectophilia.

But both situations are about things coming to a new lease of life in regards to their counterparties—subjects, individuals, wetware. Nevertheless, both are about topics engaging with items, whoever brand new status is simply caused by them because of the previous.